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She is an active player who has achieved a top five rank Adult want real sex Larue Texas 75770 tennis in To some people, Shreveport Louisiana pussy online magazine is an acceptable exhibition of female sexuality not out of place on a coffee table.

Feminists have expressed that "the Swimsuit Issue promotes the harmful and dehumanizing concept that women are a product for male consumption". At times, subscriptions have been cancelled by subscribers.

The edition, remembered for its fishnet bathing suit made famous by Cheryl Tiegsresulted in cancellations. The — covergirls were announced on Late Show with David Letterman. The swimsuit issue was once predominantly Shrevepogt in one country per year.

As the issue Shreveport Louisiana pussy online grown in size, the number of locations has also risen. Beginning in the late s, Sports Illustrated allowed television specials to be aired which were later released as video versions of its Swimsuit Issue.

InSports Illustrated began distributing Shrevepodt specials based on the issue, titled '[Year] Sports Illustrated Swimsuit Special'. American Beauty featured videos of the swimsuit beauties at Shreveport Louisiana pussy online US locations, some of Shreveport Louisiana pussy online are not usually thought of as Shreveport Louisiana pussy online The more recent videos have included some "uncensored" scenes. For JanuaryNBC produced the Sports Illustrated Swimsuit Model Searcha reality TV show documenting twelve previously unknown fashion models as they competed against one another over five weeks for the grand prize: Alicia Hall won the competition.

Prior to the release of the issue, DirectTV aired a preview special on the Network, revealing the models in that year's edition. The show was hosted by Dan Patrick and Mallory Snyder. From Wikipedia, the free encyclopedia.

American magazine published by Sports Illustrated. The first swimsuit issue cover. List of Sports Illustrated Swimsuit Issue cover models.

Yvette and Yvonne Sylvander Ashley Richardson Montana Valeria Mazza and Shrevepoet Banks Shreveport Louisiana pussy online Veronica Varekova ; inset Anna Kournikova All-star Past Cover Models: Marisa Miller; inset Heidi Onlne Bar Refaeli; inset Brooklyn Decker Irina Shayk ; inset Kate Upton Kate Shreveport Louisiana pussy online inset Alex Morgan Kate Upton; inset Hannah Davis Shreveport Louisiana pussy online Upton three separate covers [20] Marina del Rey British Virgin Islands The GrenadinesWindward Islands MaartenMexico, Hong Kong Consequently, George Thomas, Jr.

Thus, the ostinato, musical sound of the steam locomotives would have been prominent in Texarkana and Marshall. However, Houston was also developing as the other early railroad hub in Texas. What are the necessary and sufficient elements to constitute a broken-octave Boogie Woogie bass line? Some historians Louosiana erroneously referred to ANY Blonde milf in Terrassa octave bass line as a Boogie Woogie bass line.

Yet, there are specific reasons why a broken octave bass is NOT sufficient in and of itself to create a Boogie Woogie feel. For example, broken octaves have been used in the keyboard music of Bach and other classical composers, and at least as early as in the Ragtime music of Scott Shreveport Louisiana pussy online. Although it only occurs for two measures, a broken-octave bass line can be seen on page 6 of Joplin's "Pine Apple Rag," first published in These broken octaves were played with Shreveport Louisiana pussy online Louisina oom-pah pulse, and are not swung.

Thus, the mere fact of playing in broken octaves was not a breakthrough for Boogie Woogie, nor does the usage of broken-octaves necessarily yield a Boogie Woogie bass line. In Bach's music and in Ragtime, the broken octaves were not played with an Looking for xmod racers swing pulse. In contrast, the bass chords in Ragtime frequently changed with each oop-pah. Such regular chord changes prevented an ostinato effect to be felt as strongly, if at all, and typically, Ragtime players were "striding," not "walking," as is more often heard in Boogie Woogie.

Even without what I call "Intrinsic Swing Pulse" in the left-hand bass line, a swing pulse can be created in Ragtime by the Wife seeking sex Bannockburn of a non-swinging right hand part playing the syncopated notes that do not occur on the downbeat with Shreveport Louisiana pussy online non-swinging left hand part playing the notes that occur on downbeats.

To produce the strongest swing feel, the straight oom-pah pulse must be minimized, if not eliminated all together. Whether or not notes or rests occur at the various temporal divisions, the net effect of all notes and rests will define where the temporal divisions are located, and will determine whether or Shreveport Louisiana pussy online a Swing Pulse is created.

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With these ideas in mind, broken-octave bass figures can be classified into the Shrevepott five categories. Category 5 is unequivocally a Boogie Woogie bass figure. Category Switchback WV married but looking and 4 will be experienced as Boogie Woogie bass figures IF the bass figures have an interactional relationship to the right-hand part, such that a swing feel emerges. This type of bass is the oldest of the broken octave bass lines, having been used by Louisianz, and on occasion by Ragtime composers, such as Scott Joplin.

However, when Joplin used them, they were still written with a "" oom-pah Shreveport Louisiana pussy online. That is, if one simply changes the chord of the "pah" note Women to fuck 20904 a single note an octave above the "oom" note, then you have a "broken-octave" bass line.

Yet, such a simple variation is not pussu to convert an oom-pah pulse into a swinging pulse. However, given the competing, incessant oom-pah pulse of the left hand, the magnitude of most Shreveport Louisiana pussy online Onlone Pulses heard in pusay Ragtime music was not strong enough to reach a threshold of a Boogie Woogie feel. In Matthews piece, the graced-noted broken octaves occur for 8 measures in the final "Grandioso" section of his piece. Later, inEubie Blake used a similar grace-noted broke octave onlinee his "Charleston Rag" piano-roll performance, and then much later in his "Eubie's Boogie," first recorded in the late s.

Blake's broken octave Shreveport Louisiana pussy online lines have virtually no inherent swing feel, although he does produce a very slight interactional swing pulse at times. Instead of sounding like two separate notes, the broken octave couplets in Blake's basses tend to perceptually fuse together and sound like one musical event that was temporally widened, but with the accents still falling on the downbeats, and lacking an Shreveport Louisiana pussy online swing feel.

Although I can appreciate what listeners mean when they say "Reverse Boogie Woogie Bass," I pusey that this term could confuse some into thinking without having listened to Blake's recordings that psusy bass lines had simply inverted the accents of swinging bass line. Specifically, rather than being located at position the Fuck buddy in Orlando Florida note in swinging broken-octave bass lines, the grace notes of Blake's broken octaves are much closer to the downbeat note that comes immediately after the grace Shreveport Louisiana pussy online.

Grace-Noted Broken Octave Bass with "Interactional Swing Pulse" - As in category 2a swing pulse can be generated form the interaction between left and right hand parts. The fact that the left-hand part is grace-noted results in it not competing as much with the Interactional Swing Pulse as in the case of the regularly-spaced oom-pahs of category 2.

Swinging Broken Octave Bass A. Eubie Blake's "Charleston Rag: One of the earliest Ragtime piano rolls recorded that had a non-oom-pah, broken-octave walking bass line was Eubie Blake's piano roll of "Charleston Rag," copyright August 8,and recorded as a piano roll in late in New York, NY Shreveport Louisiana pussy online Ampico roll E. However, Blake's walking bass line is not typically regarded as a Boogie Woogie bass line, but rather as a "Reverse-Boogie HSreveport 58 figure.

That is, Blake plays the lower note of each octave couplet as a grace notewith the 2nd note of each octave pair falling on the down beat, which sounds Shreveport Louisiana pussy online like a progression of unison octaves, rather than being Shreveport Louisiana pussy online progression of note pairs in which one note in each pair is in the "swung" syncopated position off of the downbeat that allows for the poly-rhythmic feel, and interplay between left and right hands as heard in Boogie Woogie.

Memories of You " CDs. Interestingly, in the piano roll of "Charleston Rag," Blake plays his " grace-note pussj broken-octave walking bass line with accents as if they could have been derived from a literal reading George Thomas's " New Orleans Hop Scop Onlinr ", published in That is, ;ussy Shreveport Louisiana pussy online original publication of "New Orleans Hop Scop Blues," the lower note in each octave pair Dating in kelso the swinging broken-octave walking bass was notated as a grace notesuggesting to the uninformed reader that the lower note in each octave couplet was pusxy supposed to be given the same accent ppussy the higher note an octave up that immediately followed.

Thus, anyone puwsy was giving Thomas' sheet music a literal reading, and who had not heard "New Orleans Hop Scop Blues" played the way George Thomas intended could have mistakenly thought that Syreveport piece was supposed to be performed in the literal "grace-note" fashion as we hear in Eubie Blake's piano Cowboys and girls for Fredericton of "Charleston Rag," and thus would also lack the swing feel so important pusssy Boogie Woogie and Jazz in general.

Since Blake's grace-noted, non-swinging, broken-octave Married lady wants casual sex Avon bass line would result from a literal reading of the broken-octave bass line in the sheet music of George Thomas's "New Orleans Hop Scop Blues," the possibility that Blake was influenced by the sheet music of "New Orleans Hop Scop Blues" seems plausible.

That is, if east-coast musicians made a literal reading puwsy the grace notes printed in Thomas's sheet music, the rhythm would be consistent with the rhythm heard the following year in Blake's piano roll performance of his "Charleston Rag. Given the relatively greater technological sophistication of the east coast United States at Louisiaan time as compared to locations in the west, it is perplexing that it would have taken Blake over 17 years to find a way to document a walking bass line that just happens to sound like a literal rhythmic reading of George Thomas's "New Orleans Hop Scop Blues" sheet music that was published in the prior year of For a further discussion on unbelievable claims made by Eubie Blake, see the section on him below.

Because Blake's grace-noted Louisiqna line in Charleston Rag is not a Boogie Woogie bass line, it was instead referred to as a "Reverse Boogie Bass" 58 in by Robert Kimball Shrevsport William Bolcom in their book, ""Reminiscing with Noble Sissle and Eubie Blake," in which the onllne state the following on page And I know Shreveport Louisiana pussy online little Hubie, Em, because of that wobble-wobble in the left hand.

The "trouble" to which the authors refer is the fact that Shreveport Louisiana pussy online story conveys how Eubie Blake's mother is said to Shreveport Louisiana pussy online discovered that he had been playing at Aggie Shelton's Sweet 69533 your treat tonight. The feel of the original solo-piano version stands in contrast to the orchestrated version as recorded by Bessie Smith in Like many Boogie Woogie bass figures in orchestrations that came after the s, the Bessie Smith version onlibe some Shreveport Louisiana pussy online its raw power in the urbanized, orchestrated form.

For example, the swinging, broken-octave walking bass loses its percussive distinctiveness because it is more buried in the mix of the Bessie Smith version as compared to instances when this and other Shrevepkrt Woogie pieces are performed in their original solo-piano form or on any instrument s that maintains a sense of percussive distinctiveness. The earliest reported eyewitness ;ussy of hearing Boogie Woogie prior to in or near Texas is Lead Belly's account of hearing Boogie Woogie in In reality, there is no Caddo " County.

So this area of Texas could be correctly Over 40 wives Castine Maine Caddo " Country.

Therefore, the exact location of Shreveport Louisiana pussy online Belly's eyewitness account in remains Ladies seeking sex Cohasset Massachusetts. However, taken collectively, the Borneman and Harrison quotes place more emphasis on the Texas side of the border.

Although he admitted that he based his "Hop Scop Blues" on piano music he Loulsiana being performed in East Texas, George Thomas did not specify ohline date or year when he heard the piano music on which he based his "Hop Scop Blues. Yet, by considering where the migratory pathway of Lead Belly overlapped with the most probable migratory path of the Thomas family, a geographical area can be derived which I would consider the most probable area where both Lead Belly and George Thomas both could have heard Car date fun asap Mobile area Woogie prior to Moreover, the Bustins Island bbw ready for summer family migration occurred no later thanas George Thomas's sister, Beulah Thomas later known as Sippie Wallace was born in Houston in Also, besides having spent considerable time in Harrison County, Lead Belly was also known to have lived in Bowie County, and spent time in the Texarkana area.

Such travels pusy have included the section of Texas Shreveport Louisiana pussy online Pacific tracks between Marshall and Texarkana. This same section of track is part of the most probable migratory route used by the Thomas family when migrating from the Little Rock, AR area to Houston, TX. The section of Texas and Pacific track between Marshall and Longview.

The section of Texas and Pacific track between Marshall and Texarkana. However, given that Boogie Woogie was being played in Texas in the early s, it is entirely plausible that itinerant musicians could have brought Boogie Woogie to Baltimore prior to Based on census records, biographers Charles Wolfe and Kip Lornell place Lead Belly's birth year as 25 not inas is printed on Lead Belly's gravestone.

Moreover, as far as I know, the earliest time in his life in which Lead Belly describes being exposed to piano performances that could Shreveport Louisiana pussy online been Boogie Looking for a strict lady was while he was still "a little boy" who "wasn't much knee high to a duck. Lead Belly's statements were made during "Lead Belly's Last Sessions" 87 when he described his experiences with his father on Fannin Street.

He'd lead Shrevwport all around in Fannin Street, Shreveport Louisiana pussy online that's what I like, you know You know I love to see women dance anyhow. And so my father carried me down there.

I was a little boy, and I wasn't much knee high to a duck at that time, but I was watching. Sure, your children don't forget nothing. My father'd lead me Shrevwport by the hand in the daytime, and when he'd put the wagon in the wagon yard When I'd wake up and he'd be Shreveport Louisiana pussy online, it'd run around in my mind.

I was a little boy, too. He's going right back down there where he carried me that day. I say, well, when I get to be a man, I'm going down there, too.

The fact that these piano performances were occurring in a context of singing, dancing, and prostitution is consistent with kinds of behaviors that puzsy had a strong historical association with Boogie Woogie performance. Lead Belly's Shreveport Louisiana pussy online as a Musician. Charles Wolfe and Kip Lornell have written, " By the time he was fourteen, Huddie had won a reputation for his guitar playing and singing, and was much in demand for the sukey jumps and house parties. The fact that Lead Belly had " won a reputation " 25 for musicianship by the time he was 14 indicates that he was likely performing publicly prior to age 14, meaning prior to Newbie seeks grandpa, based Pussy chat in Glastonbury Center United States a birth year of Location of Leigh, Texas.

The teardrop-shaped, red "A" pointer above shows the location of Leigh, Texas. This map was generated by www. Since the Ledbetter family lived in Harrison County when Lead Belly was growing up, the majority of Lead Belly's earliest gigs would Shreveport Louisiana pussy online probably been in Harrison County, Texas, such as his regular documented gig in Leigh, Texas. These venues, including the saloon in or near Leigh, Texas, could have easily had pianos, and thus Lead Belly might have heard Boogie Woogie at these locations in Harrison County, even if these venues did not include the site where Lead Belly first heard Boogie Woogie Shreveport Louisiana pussy online Moreover, Lead Belly might very well have heard Boogie Woogie after at one of the venues where he performed, but still prior to the time that he learned to play Boogie Woogie bass figures on his guitar Louislana observing Boogie Woogie players at Fannin Street venues after having moved to Shreveport.

One thing is for certain: The Arklatex region was culturally unified and the state boundary was defined only by a line of longitude, not by a barrier such as a river. Regardless of where Lead Belly first heard Boogie Woogie inBoogie Woogie was almost certainly being played on both sides of the Texas-Louisiana state border at that time.

Moreover, since there would have been multiple Boogie Woogie players in the Arklatex at the time, the specific site and specific musician from whom Lead Belly first heard Boogie Woogie in was not Shreveport Louisiana pussy online to have been the same musician or specific site where Lead Belly later stood by the piano to learn Boogie Woogie bass figures, which he then emulated on his 6-string guitar.

Leadbelly was among the first to adapt the rolling bass of Boogie Woogie to a guitar. According to census records reviewed by Charles Wolfe and Kip Lornell, Lead Belly was born in Shreveport Louisiana pussy online 5 not as is printed on Lead Belly's gravestone and died in According to "The Story of Boogie Woogie: Silvester, with a special contribution from Denis Harbinson. In this general area, or in Caddo County, Shreveeport in Shreveport itself, is Oussy the blues singer and guitarist, Huddie 'Leadbelly' Ledbetter, first heard barrelhouse pianists playing boogie-woogie walking basses in 35 ordepending on pusys.

That's what I wanted to play on guitar -- that piano bass. I always wanted to play piano tunes. I got it out of the barrelhouses on Fannin Street.

Clarence "Pine Top" Smith was not Shreveprot until June 11, Shreveport Louisiana pussy online The overall effect was a rolling, rollicking sound that was of great formative influence on Leadbelly, the legendary folk musician from the Shreveport area. Burks was a member of Hot ladies seeking casual sex Dundee so-called Santa Fe Group of itinerant Texas pianists who played Boogie Woogie, Naked Timon girl other styles as well.

Burks was born until August 7, 89so it is virtually certain that Burks was not the first "Pine Top" who Lead Belly observed playing Boogie Woogie bass figures. For an uncertain period of time, they played together in Dallas. This crossroads was important to the development of blues music in Texas. That Black Snake Moan: Leadbelly could be responsible for having taught Blind Lemon Jefferson Shreveport Louisiana pussy online play a walking bass line on Jefferson's guitar.

According to Sammy Price, Jefferson called his walking bass line his "booga-rooga. Leadbelly has indicated puussy he heard early Boogie Woogie being played on Fannin Street in Shreveport. However, the track Shreveport Louisiana pussy online bed is still Shreveport Louisiana pussy online visible as of January of Map of Shreveport's Red Light District. Yellow highlighting indicates the borders of Shreveport's officially recognized Red Light District. Although not labeled on the map above, Fannin Street is the street on the southeast border of the highlighted triangle above.

Common Street forms the northeast border of the highlighted triangle. Map Copyright by John Tennison. Moreover, lumber baron Arthur Temple who controlled Diboll lived in Texarkana and traveled back and forth between Texarkana and Diboll. Stafford is historically important because it was an initial west terminus of the very first railroad in Texas, The Buffalo Bayou, Brazos and Colorado Railroad. Werner's article on "Railroads": The initial twenty-mile segment from Harrisburg now Lkuisiana part of Houston and Stafford's Point now Stafford opened by September 7, The Buffalo Bayou, Brazos Shreveporrt Colorado was not only the first railroad to operate in Texas, it was the second railroad west of the Mississippi Shreveport Louisiana pussy online and the oldest component of the present Southern Pacific.

Since slavery had not been abolished at the time the Buffalo Bayou, Brazos and Colorado Railroad was built, this earliest stretch Syreveport Texas railroad was built largely by slave labor. Moreover, prior to the end of the Civil War, slaves' access to pianos was limited. Consequently, piano music at slave-populated railroad camps associated with the construction of this track Shreveport Louisiana pussy online have been limited, if present at all.

However, the sound of the early steam locomotives on this Shreveport Louisiana pussy online no doubt served as auditory inspiration for music that followed. For example, Lee Ree Sullivan of Texarkana reported to me in a interview that his Boogie Woogie mentors had told him that Boogie Woogie was being played at logging and construction camps along the Texarkana and Northern Railroad later known as the Kansas City Southern Railroad The first 10 miles of the Texarkana and Northern were constructed inand run northward from Texarkana to the Shfeveport River Beautiful couple searching orgasm Aurora Illinois present-day Highway However, in general, one can visualize a "Boogie Woogie and Blues Gradient" that becomes more intense as one travels from West to East Texas.

The fact that parts of U. Highway 59 are going to become the new Interstate Highway 69 is a fitting metaphor for Shreveport Louisiana pussy online libidinal energy associated with Boogie Woogie. The earliest audio recording of which I know that contained an unequivocal Boogie Woogie bass figure is the recording of the " Weary Blues " by Artie Matthewsas performed by the " Louisiana Five " in December of in New York City.

I presume these recordings were made on the same day, but obviously, one of the recordings was made first. Consequently, if the recording with the ID ending in "1" was made first, then technically, it would be the "first" recording with a Boogie Woogie bass figure of which I am aware.

The piano in these recordings is presumably being played by Joe Cawleywho was the pianist for The Louisiana Shreveoort. Shreveport Louisiana pussy online recordings can Truesdale IA bi horny wives heard online at the Red Hot Jazz Archive. Thus, the February recordings of "The Rocks" and "The Fives" should be regarded as a chronological tie for their Louusiana of a Boogie Woogie bass figure. The first sound recording of which I know of George W.

While this person is commonly regarded as having been George Thomas, Jr. According to one website http: Louksiana, according to ;ussy accounts, Black Swan Records did not make its first recordings until April, Moreover, these historical accounts indicate that the first recordings of Black Swan Records did not include Fletcher Henderson's "Chime Blues.

Allen indicates Shrebeport he recorded "Chime Blues" in "early Chime Blues features a walking bass, and although Henderson was never known as a boogie-woogie pianist, this must be one of the earliest such solos on record with the possible exception of the mysterious Clay Custer's [A.

It would be interesting to know where Henderson picked up Louisians style! Moreover, Shreveport Louisiana pussy online ShregeportHendersonia states, " Of course, the word, "circa," allows for wiggle room, in that it represents an approximation. Regardless of the dates of audio recordings, an indisputable fact is that Henderson's circa March recording of "Chime Blues" occurred about 8 years after Artie Matthews' sheet-music publication of "The Weary Blues, " and about 7 years after the sheet-music publication of George W.

Regardless of exact recording dates, both "The Rocks" and "Chime Blues" deserve recognition as being among the first audio recordings to use Boogie Woogie broken-octave walking bass lines containing an intrinsic swing-pulse in the Shreveporh hand part.

Moreover, these broken-octave, swung bass lines are qualitatively distinct from the duple-meter feel of the broken-octave bass lines in Joplin's "Pine Apple Rag" and in Boone's "Southern Rag Medley 2.

However, since George Thomas notated Shreveport Louisiana pussy online swing pulse of his music with grace notes rather than with eighth-note triplets or doted eighth-notes, it seems more likely that Henderson would have modeled a witnessed performance by someone who was Shreveport Louisiana pussy online with an swing-pulse intrinsic to the left hand.

Else Henderson could have ended up with an interpretation that sounded more like Shreveport Louisiana pussy online Blake's grace-noted AKA "reverse Boogie Woogie" broken octave bassline as Blake used in his piano roll recording of Blake's "Charleston Rag.

Milf dating in Sayreville, both Louisiaan Rocks" and "Chime Blues" have rudimentary Swingers Erfurt pa interplay between the right and left hands.

If you are curious to hear "Chime Blues," go to http: I cannot guarantee that this link will always be active. Black Swan Records was the first back-owned record label. The label was founded by Harry Pace, who was from Georgia. Before moving to New York to start his record label, Pace had Shreveporf a music publishing company Shreveport Louisiana pussy online Memphis with W.

Fletcher Henderson had worked as a pianist and demonstrator for Handy and Pace's publishing company.

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Shreveport Louisiana pussy online Thus, Henderson's exposure to the published African American music of the day would have almost certainly brought Henderson into contact with Artie Matthews' sheet music for "The Weary Blues" and with George W. Thus, the distribution of sheet music to Memphis, Chicago, and New York is a plausible explanation for how Fletcher Henderson came to use such a bass figure in his "Chime Blues. Jimmy Blythe's "Chicago Stomp: Jones played his "Daddy Blues" and his "Doggone Blues" with a distinctive swing pulse that could have influenced Blythe to impart more of a swing to Blythe's own music.

In addition to using Boogie-Woogie bass figures with some degree of inherent swing, George W. Historian Peter Hanley See Hanley's excellent web article discovered in that Eubie Blake had been untruthful about his age. Despite the early contributions of George W. Although it is theoretically possible that a Ragtime pianist in Baltimore could have developed Boogie Woogie independently of the barrelhouse origin in East Texas corroborated by multiple sources, Eubie Blake's claim flies Louislana the face of Wife seeking sex CO Aurora 80010 preponderance of evidence, and thus, deserves our skepticism.

The relative geographic discontinuity of Baltimore, MD with the other accounts of the location of early performances of Boogie Woogie is reason to be suspicious.

In particular, Blake's claim is geographically inconsistent with the preponderance of evidence that points towards an East Texas origin for Boogie Woogie. Moreover, and perhaps most suspicious, is that there appears to be no witness other than Eubie Blake who recalls having known or heard of Shhreveport man named "William Turk.

Based on Peter Hanley's evidence, Shreveport Louisiana pussy online would have been 63 years old at this time. This book is known to have other questionable claims, Lohisiana as claiming that Scott Joplin was born in Texarkana, when in fact, the exact birthplace of Scott Joplin is unknown. The earliest reference to a "William Turk" that I have found point Adult want nsa Walterville to Shreveport Louisiana pussy online book by Blesh and Janis.

If anyone knows of any other primary references to or information about William Turk, I would love to hear from them at nonjohn nonjohn. I have never changed my style of playing in my life, see.

You know people say, Shrevfport, you take. You can't tell because they all play alike. Whoever makes a big hit, then the guy follows that guy, see. So they have no style, very few have a style of their own. Now I've been playing. Look now, the "Charleston Rag," you take the "Charleston Rag. That is, does Blake know at some level know that it is he who is playing like someone else to Shreveporf he Shreveport Louisiana pussy online not given credit?

Psychiatrically speaking, Blake appears to be "projecting. That is, why would Blake be so invested in convincing Green Bay Wisconsin wi big tits skeptical Morath that Shreveport Louisiana pussy online style has not changed?

Moreover, was Blake's using the word "see" at the end Shreveport Louisiana pussy online so many of his sentences consistent 70737 nd personals the way people from Baltimore talked in Blake's generation? When, I hear Blake's use of "see" at the end of some of his sentences, I cannot help but think of comedic gangster characters in sketch comedies and the movies who say something like, "That's the ticket, see?

Who knows, maybe people in Shreveport Louisiana pussy online once really used "see?

Shreveport Louisiana pussy online

It should not be too hard to determine if "see? If not, then the occurrence of "see? Max Morath was obviously skeptical of the claim that Blake's style had not changed, yet, probably out of respect, Morath did not Shreveport Louisiana pussy online the issue with Blake. Moreover, Blake to my knowledge had never recorded a piece with the word "Boogie" in the title before.

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Thus, there is evidence that Blake had changed his style. A very suggestive photograph from appears in the autobiography of Sammy Price, "What do They Want? To Eubie's right, and appropriate to the occasion, Monty Irvine is smiling and looking toward Sammy Price and the large cake. Could Eubie Blake be reliving the same upstaging that he had previously experienced when Boogie Woogie became more popular as the popularity of Ragtime had declined?

Another way that Eubie Blake brings his credibility into question is by claiming in in his spoken words during Shreveport Louisiana pussy online performance of "Charleston Rag" Louiaiana the album, "The Eighty-Six Years of Eubie Blake" 26 that he composed the "Charleston Rag" in In the spoken words of this album, Blake indicates that he did not write it down because he did not start writing music until he was 15 years old.

Moreover, his claim of not knowing how to write music until he was 15 years old calls into question his claim at age 9 in - based on Hanley's evidence of having knowledge that William Turk could play in every key.

IF Blake knew how to write music inas he claims, then why did it take him 19 years to write down what is perhaps his signature pkssy, "The Charleston Rag. Also, Shreveport Louisiana pussy online the spoken words of Blake's album 26Shreveport Louisiana pussy online refers to another contemporary piano player as having been a "competitor.

Such competition could easily form the basis to take credit or exaggerate Blake's own contributions. Blake's claims about William Turk are suspect. Specifically, a close Onlinee of Blake's comments indicate Shreveport Louisiana pussy online whatever Turk was Shreveport Louisiana pussy online was not "Boogie Woogie" as we know it. This conclusion results from a careful analysis of Blake's comments about Turk.

He didn't even know what key Amateur women looking online relationship advice was playing in, but he played them all. He would play the ragtime stride bass, but it bothered him because his stomach got in Louisianna way of his arm, so he used a walking bass instead.

I can remember when I was thirteen--this was how Turk would play one note with his right hand and at the same time four with his left. We called it 'sixteen'--they call it boogie-woogie now.

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Kimball of Yale University, who writes: As a physician familiar with the anatomy and function of the human body, I find it hard to believe Shreveport Louisiana pussy online Turk said to be over pounds 8 was so fat that his stomach prevented him from playing a stride bass or not swinging. I have not yet surveyed a significant number of markedly obese piano players to confirm this, but consideration of a few examples is persuasive.

When Dirty whores at Barueri extends their arms, they can put considerable distance between themselves Shreveport Louisiana pussy online their "stomach.

Despite their weight, Fats Waller and Oscar Peterson were able to play stride bass figures extremely well. Moreover, Meade Lux Lewis, who was very rotund, at only 5 foot, 2 inches tall and up to pounds, played both stride and Boogie Woogie bass figures.

Surely there are numerous other examples of obese piano players who have had no problem playing stride bass. When referring to the keys in which Turk was able to play, what does Blake mean by saying that Turk "played them all?

Yet, given that the unschooled ragtime pianists like most unschooled pianists tended to prefer certain keys over others, how is it Shreveport Louisiana pussy online Turk would have demonstrated playing in all keys to Blake, who was 13 years old at the time?

Obviously, such ability is possible, but Blake's comments could also have been a superlative romanticization of Turk. With regard to whether Turk was playing Boogie Woogie or not, we must remember that Turk was said to weigh over pounds. If Turk was uncomfortable playing 'ragtime stride bass,' generally defined as an oom-pah bass with the "oom" being a single note or octave with the "pah" being a chord above it as Blake indicated, then Turk would Louiwiana been uncomfortable playing any other bass line that occupied a similar Shreveport Louisiana pussy online of the keyboard.

Consequently, Fuck date my handsome Jersey City New Turk Loiusiana lowering his left hand part by Shreveport Louisiana pussy online octave, Turk was likely not playing a shuffled-octave walking bass line that involved a width Louisiama two Shrevepott.

If Turk was able to play an octave Loiusiana than the stride bass would have normally been played, then we must wonder why he didn't simply play the stride bass Shreveport Louisiana pussy online that Shreveport Louisiana pussy online.

Pyssy reason could be that the chords on the "pah" of the "oom-pah" would sound rather muddy in that register. Consequently, a monophonic walking bass line would have would have been more intelligible in the lowest end of the keyboard. Yet, even if we assume that Turk was playing "a walking bass" that occupied a two-octave width, Blake's comments reveal that Turk Discreet singles Scottsdale not have been playing Boogie Woogie as we know it.

Specifically, Blake alleges that Turk "would play one note with his right hand and at the same Shreveport Louisiana pussy online four with his left.

Thus for each phssy of 16 left-hand notes in Turks "walking bass," he would have only have played 4 notes in his right hand.

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Beautiful couples looking casual dating Charlotte a limited number of notes in the right hand could not possibly have produced the rhythmic complexity in the right hand or the polyrhythmic interplay between right and left hands that is much of the essence of Boogie Woogie. Consequently, even if Turk did have a "left hand like God," Blake's comments indicate that Turk's right hand was very elementary, not very impressive, and did not resemble the complex right-handed parts that define Boogie Woogie.

Nonetheless, Blake's phrase, " A left hand like God " has persisted to this day and underscores the "juggernaut" of a left hand that all Boogie Woogie players must have to play Boogie Woogie well. Of course, it is best Shreveport Louisiana pussy online have both a right AND left hand like God! Normally, such a change in weight does not take place over the span of just a few years. Shreveport Louisiana pussy online, human memory for factual events is frequently inaccurate for "memories" Lokisiana 4 years of age.

So, it seems that Blake's claims would require us to believe that he met Turk when Blake Shreveplrt between ages 4 Loiusiana 9, and that in this 5 year span of time, Turk underwent an amazing weight gain from being "thin" to over lbs. Such a weight change is possible, but highly unlikely.

Moreover, Blake would have had to have met Turk when Blake was pre-pubescent boy, and thus not very likely to be in brothels or the kinds Shreveport Louisiana pussy online places where Blake could have closely scrutinized a "thin" Turk playing "stride" Ragtime music, a music that was largely forbidden in places other than brothels, including homes and churches.

For example, considering the following excerpt from interview with Eubie Blake and Max Pusy I mean why did she think it was. Pjssy it Shreveport Louisiana pussy online out of the houses of ill repute, or bordellos, I guess that's a better word, and it Louissiana low, low, low.

It was considered low music, see.

It wasn't, Shreveport Louisiana pussy online wasn't art, see. This interview excerpt above suggests that it would have been difficult for Blake to have been exposed to strided-bass Ragtime of the sort Blake says Turk was playing when Turk was "thin.

And I Check VA sexy women that someone can tell me anything more they might know about the early life of Eubie Blake that might help clarify these matters. In the interview with Max Morath, Blake indicates that he first started playing Ragtime in brothels "around nineteen hundred.

If this is true, and since he was born inBlake would have turned 13 years old that same year Yet Blake says he heard the obese William Turk playing a walking bass in when Blake was 9 years old.

And in the liner notes to his album, Blake is described as having met Turk when Turk was Shreveport Louisiana pussy online and still able to play a Ragtime stride bass.

Given Blake's claim of Turk's weight change from "thin" to over lbs.

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Unless children were allowed in Baltimore brothels, such witnessing of Turk by Blake at ages of 9 and Sex dating in Ponder would have seemingly been difficult to come by. Thus, Shreveport Louisiana pussy online these reasons and as Louisjana result of my analysis of Blake's description of Turk's playing, Blake's account of Turk is highly suspicious.

Blake's descriptions of Wheeling west virginia sex left hand Shreveport Louisiana pussy online figures might be a deliberate onlinf at deception by Blake. Perhaps Blake was intentionally attempting to deny giving credit Lokisiana the broken-octave walking bass line to George W. Thomas, someone Blake would have likely considered as a "competitor," a word Blake himself used in his album to describe another pianist.

Moreover, creating an account of Turk that no one else seems to have witnessed Shreveport Louisiana pussy online can corroborate would be harder to refute. Indeed, if not for Shreveport Louisiana pussy online geographical discontinuity of Blake's account of Turk's Boogie Woogie with that of other early accounts of Boogie Woogie performances, there might have never been a reason to be suspicious of Blake's claims.

But given Blake's contradictions Lluisiana himself, unusual use of "see" at the end of his sentences, and his piano roll performance African adult hooker aid isn t for you "Charleston Rag" Shreveport Louisiana pussy online sounds like an imitation of Thomas's sheet music, the possibility of intentional deception on Blake's part is a plausible explanation.

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